Jennifer Iverson recently presented “Ligeti and the Evolution of Klangfarbenmelodie” at the 2013 Ligeti Symposium and Festival. The paper traces the dual lineages for the reception history of “sound-color-melody”, from Schoenberg and Webern through Adorno to Ligeti. A notable scholar and analyst in his own right, Ligeti both received and advanced the discourse around Klangfarbenmelodie in his scholarship and in his compositions. Iverson’s analysis shows that Ligeti used a rather Schoenbergian notion of Klangfarbenmelodie in Lontano (1967) while he developed ideas from the mid-century discourse around Webern’s music in the opening of the Cello Concerto (1966). Celebrating the 90th year of Ligeti’s birth, the festival brought together leading scholars, performers, and enthusiasts of his music.