With help from the School of Music and International Programs, Matthew Arndt presented a paper on Arnold Schoenberg at the European Music Analysis Conference (EuroMAC), held in Leuven, Belgium, September 17–20. Richard Taruskin, purported to be “the present day’s most notorious theorist-basher” (Arnold Whittall), gave the final keynote. Photo: St. Peter’s Church in Leuven.
Produce, as in produce research! The faculty at the University of Iowa use the time away from teaching during the summer to make rapid progress on research projects, when there is more time for intensive archival research, analysis, composition, and writing. Here are some of the things the musicology, theory, and composition faculty have been working on in summer 2014:
In June, musicologist Marian Wilson Kimber presented a paper, “Hymnody, Dance, and the Sacred in the Illustrated Song” at the 18th Biennial International Conference on Nineteenth-Century Music at the University of Toronto, Canada. The paper, regarding the pantomimic posing of American women to hymn tunes, ca. 1880-1920, is related to the book she completed this summer, tentatively titled, Feminine Entertainments: Women, Music, and the Spoken Word.
Composer Zack Stanton spent a month in Austin, Texas sketching out a new piece for narrator and wind ensemble, which memorializes legendary Texas football coach Darrell Royal (1924-2012). He has also just received a new commission from the Milliken University Percussion Ensemble for a piece to be premiered in April 2015. In October, Zack will travel to Los Angeles to hear a premiere of his work at the Christian Fellowship of Art Music Composers Conference. The work, Scenic Route, will be performed by pianist Paul Barnes, who commissioned Philip Glass’s Piano Concerto No. 2. Barnes will perform Scenic Route again in April 2015 at Symphony Space in New York.
Theorist Jennifer Iverson spent five weeks in Germany and Switzerland, undertaking archival research relating to early electronic music. She began at the archive of the Akademie der Künste in Berlin. She then visited the Stockhausen Stiftung in Kürten, Germany, making time for a trip to the rural cathedral Altenberger Dom where Stockhausen received his first communion. Here she also met with Gottfried Michael Koenig, one of the few surviving members of the so-called “Darmstadt” group of composers and an expert on early electronic music at the WDR. She spent time at the historical archives of the WDR (Westdeutsche Rundfunk, or West German Radio). Jennifer ended the trip in Basel, where she visited the Paul Sacher Stiftung for the third time, and focused on correspondence between Pousseur, Stockhausen, Boulez, and Eimert. The trip was funded via an AHI (Arts and Humanities Initiative) grant from the University of Iowa.