The duo Red Vespa, consisting of musicology professor Marian Wilson Kimber and pianist Natalie Landowski of Western Illinois University will return to the concert stage this week to present a recital of musical readings by American women composers. Wilson Kimber explored the brief, comic spoken-word pieces in her 2017 book, The Elocutionists: Women, Music, and the Spoken Word. Red Vespa has appeared in Boston, Kansas City, Chicago, Washington, DC, and at Ohio State University.
The video that will be made of their recital has been awarded the Sight and Sound Subvention from the Society for American Music.
Red Vespa will also premiere a new work created for them by Portland composer and University of Iowa alumna Lisa Neher,Upon a Broken World.
Andrew Tubbs, Arthur Scoleri, C. A. Norling, Dr. Sarah Suhadolnik, and Lisa Mumme, ready to hit the road for SAM
Musicology students and faculty attended the annual meeting of the Society for American Music, held in Kansas City, February 28 through March 4. Professor Sarah Suhadolnik appeared as a speaker for a workshop, organized by the Committee on the Conference, entitled “Strategies for Designing, Doing, and Discussing Digital Humanities Projects.” Professor Marian Wilson Kimber, along with doctoral piano student Natalie Landowski, presented a lecture-recital, “In a Woman’s Voice: Spoken-Word Compositions by American Women.” The recital highlighted compositions discussed in her recent book, The Elocutionists: Women, Music, and the Spoken Word (University of Illinois Press, 2017). At the student lunch and business meeting, master’s student Andrew Tubbs was elected co-chair of SAM’s student forum for the upcoming year. Congratulations Andrew!
Amy Beach (Courtesy of UNH Library, Dimond Special Collections)
Professor of Musicology Marian Wilson Kimber was interviewed by the Associated Press about the 150th anniversary of the birthday of composer Amy Beach, and her comments appeared in an article in the Washington Post. Wilson Kimber was one of multiple scholars from American, Mexico, Chile, and Venezuela, who spoke at the American Women Pianist-Composers conference celebrating Amy Beach and Teresa Carreño, hosted by the University of New Hampshire on September 15-16. The University’s Milne Library and Dimond Special Collections houses the papers of Amy Beach and presented an exhibition of rare Beach materials in conjunction with the conference. Beach was the first American female composer to be successful in composing large forms, including her Gaelic Symphony. Wilson Kimber presented her research into Beach’s appearances at the White House in 1934 and 1936 in recitals for First Lady Eleanor Roosevelt, along with other women composers from the National League of American Pen Women.