All colloquium presentations are in 2 Voxman from 1:30–2:20 pm on Fridays, unless otherwise noted.
Spring 2019
January 25: Marian Wilson Kimber (University of Iowa), “Musical Iowana: Iowa Women’s Clubs and the Promotion of Iowa Composers”
February 1: Gabriel Solis (University of Illinois)
February 22: Sherrie Tucker (University of Kansas)
March 8: Brandon Alexander Williams (University of Iowa, Grant Wood Fellow)
March 15: CANCELLED
March 29 : Louis Epstein (St. Olaf College)
April 4 (Thursday), 6:30 pm, Recital Hall: Paul Barnes (University of Nebraska-Lincoln)
April 5: Toni Blackman
April 12: Jee-Weon Cha (Grinnell College), “Between Rationalism and Empiricism: (Mis)Reading Mattheson Reading Descartes”
April 19: Mark Katz (UNC-Chapel Hill)
“Hip Hop Diplomacy as Subversive Complicity”
April 26: Rebekah Kowal (Department of Dance, University of Iowa)
May 3: Karen Fournier (University of Michigan), “Détournement and the Moving Image: The Politics of Representation in Early Punk Videos”
Fall 2018
September 7: Armando Duarte (University of Iowa). “‘O Samba no Corpo de um Brasileiro’: the Samba Within the Body of a Brazilian Man”
September 14: Arnie Cox (Oberlin College and Conservatory), “Audible and Inaudible Features of Music”
September 28: Jason Rawls, “Hip-Hop as an Educational Tool: Why Hip Hop Education is Imperative to Teachers and Students”
October 26: Lisa Mumme (University of Iowa), “‘Angelica di voce’: Ángela Peralta as Nineteenth-Century Diva”
November 9: Matthew Arndt (University of Iowa), “The Dark Side of Oz as Allegory of Spiritual Transformation”
November 30: Sarah Lucas (Drake University)
