The Musical Thought and Spiritual Lives of Heinrich Schenker and Arnold Schoenberg by Matthew Arndt, Associate Professor of Music Theory at the University of Iowa School of Music, has just been published by Routledge, the world’s leading academic publisher in the humanities and social sciences. The book is one of the first volumes of the series Ashgate Studies in Music After 1900. Daniel K. L. Chua, Professor and Chairperson of the Department of Music at The University of Hong Kong and President of the International Musicological Society, writes of the book: “Schenker and Schoenberg – often regarded as polar opposites who embody a fissure in the history of Western music and the collapse of a common language – are brilliantly reevaluated in Matthew Arndt’s scholarly debut. Through a meticulous analysis of notated and written sources and a virtuosic interplay of disciplines and methods, Arndt delves beneath the surface of the usual narrative to sound out the musical thought and spiritual beliefs that shape the theory and music of both thinkers. As a result, what modern scholarship has divided is reintegrated, not only by melding the technical and metaphysical elements to illumine each other, but by drawing Schoenberg and Schenker so tightly together that, like repellent magnets held in tension, their proximity reveals the secret of the other’s meaning. This is a bold, brave, brilliant book.” To order a copy, click here.
Two musicology students have recently had exciting achievements and experiences:
Ph.D. candidate Jessica Kizzire has a chapter titled “‘The Place I’ll Return to Someday’: Musical Nostalgia in Final Fantasy IX” in the recently published Music in Video Games: Studying Play (Routledge, 2014). The collection is edited by K.J. Donnelly, William Gibbons, and Neil Lerner. This chapter foreshadows her dissertation research, which involves video game music. Congratulations on this publication, Jessica!
Ph.D student Sarah Lucas recently travelled to Hungary for research concerning Bèla Bartók. Sarah worked in the Budapest Bartók Archive with the support of a Stanley Award for Graduate Research, where she examined correspondence between Bartók and his publisher, Universal Edition, regarding the first edition of his first Piano Concerto (1926). Sarah also had the opportunity to study several early versions of the score. Sarah has presented papers on Bartók and his music, with a special emphasis on the reception during his first concert tour of the United States (1927-1928), at AMS Midwest and at graduate student conferences at the University of Iowa and the University of Missouri. Congratulations on your award and this exciting research project, Sarah!